Noboru Iguchi is a funny guy. With his partner in crime Yoshihiro Nishimura, the duo have made films like Machine Girl and Tokyo Gore Police which push the levels of humorous perversion, nudity and gore to absurd levels. I’m not sure how they manage to make money off these films as I’ve always felt that their film trailers are more popular than the films themselves. Someone at Nikkatsu must have seen some hope for them, as Iguchi was hired to make this film which is his highest budgeted yet. Working with Nikkatsu has put limits on him, as it forced Iguchi to lower the levels of nudity and gore to a minimum. Has he gone soft? Sort of. This image should give you the idea of what playing it family friendly is for Iguchi.
He hasn’t gone that soft. The name does not represent the monster thankfully.
So yeah, less serious than the average Tokusatsu looking film, but that’s what I expected from these filmmakers. The original television series was not a terribly popular television series in the first place. It ran for one season and this television show hereshows an audience who are not familiar with it and just seem to laugh at it (which is totally understandable).
Popular or not, Iguchi seems to be a big enough fan to not deviate from the original series in too many ways. The film is about Daimon (Yasuhisa Furuhara) who uses his robot-motorcycle Zaborgar to battle Team Sigma led by Dr. Akunomiya (Akira Emoto) who is trying to develop a Jumbo Cyborg using the DNA from politicians around Japan. To accomplish his plan, Dr. Akunomiya’s cyborg assistant, Miss Borg (Mami Yamasaki) invades Japan with various robots and monsters to accomplish his goal. After several encounters, Miss Borg and Daimon begin to fall for each other which leads Daimon to question his own motives against Team Sigma.
Silly, but nothing too special, and it’s all littered with childish humor ranging from Zaborgar knowing Muay Thai to heads rocketing off shoulders and flying around to dragons shooting out of characters breasts and arses. The action scenes in the film are what I’ve come to expect from the Sushi Typhoon films, with lots of fake looking CG explosions and CG ricocheted bullet shots. I understand that the film is low budget, but a lack of pyrotechnics does make me less excited about the action as they distract my attention away from really getting into a fight scene. Outside a brief scene involving Zaborgar fighting the Bulldog truck, the action scenes spark little excitement.
Iguchi replaces the American football players found
in the original series with AV stars such as Asami.
My problem with this film is the same problem I have with most of Iguchi’s films. They start out alright with their goofy immature humor which at first makes me forgive a silly and fairly weak script, but towards the second half of the picture this kind of amusement begins to dry up. Despite having characters who talk on cellphones which make characters heads explode, we are also swamped with melodrama in the second half when we encounter Daimon’s family troubles. These characters are introduced far too quickly making it very hard to feel any sympathy for them at all. Not to mention that these plot elements feel really out of place in this kind of film. I’m not sure how audiences will react to Zaborgar as it lacks of the ultra-violence of his previous films and still has all the same problems that I bothered me in his other features. If you are fan of the goofy humor in the previous films then by all means explore this as it will be quite satisfying. If you demand more nudity and gore than there is still good news! Iguchi has announced a director’s cut involving more gore and even a sex scene between Miss Borg and Daimon. For me however, I hope that Iguchi and and Yoshihiro take a break from releasing two films a year to work on a script to match their crazy visual perversions. If they can accomplish this, then they might be able to make a film in the same league as Paul Verhoeven’s better works.