ONE MORE BULLET WON'T KILL YOU  |  ACTION FILM BLOG

 

The Butcher, The Chef, and the Swordsman Review

March 30, 2011

No one in my town was excited about The Butcher, The Chef, and the Swordsman. I’m basing this on the fact that I was the only one in the theater when I went to see it. The idea of a private screening is a shame though, as parts of the film are so delightfully psychedelic, that I would love to see how a casual audience would have reacted to it.

Not exactly an anthology film, the slightly confusing story of The Butcher, The Chef, and the Swordsmen starts with a butcher named Chopper (Liu Xiaoye) who falls for Madam Mei (Kitty Zhang), a woman living in the House of a Thousand Flowers. Chopper attempt to get Mei is interrupted by the swordsman Big Beard (Senggerenqin) and is ejected from the brothel. Chopper meets a stranger who carries a cleaver who tells Chopper a story of about a famous restaurant known for it’s glorious eight-course meals. Only the dwarf chef (Mi Dan) knows how to prepare these meals and takes on an apprentice (Ando Masanobu) to teach his secrets. The apprentice however, has a secret vengeful agenda, that comes to place as the chef tells his apprentice the story about Fat Tang and how he came into possession of the special cleaver.

Butcher, Chef and the Swordsmen plot
Fig 1. Plot structure of the The Butcher, The Chef, and the Swordsmen

Take that Inception! We don’t have dream within a dream but a story within a story within a story. The plot in the film is scattered with the most interesting one being the second cooking themed story involving the chef. I can’t recall the last time that food has looked so good on film. The singularly-named director Wureshan’s background in television commercials must have had some part in this, but I’d also give praise to the Polish DP Michal Tywonluk.

I can’t exactly say who I would recommend this film too. If you are in it just for the action, the fight scenes are an editing mess with so much quick cutting it’s not easy to make out what’s exactly happening…and when you do it’s usually not as interesting. On the other hand, we have humorous scenes that are filmed exactly like a Street Fighter II battle complete with health bars. Wureshan says that he’s mostly influenced by American cinema, but the story in this film feels very Chinese while the energy and pacing feels more Hong Kong oriented. The acting in the film has it’s fair share of mugging and genuine talent, but it suits the story. Oh, and Kitty Zhang on the poster is a bit of a tease.

Kitty Zhang in The Butcher, The Chef, and the Swordsman

Yes, her rose-printed head is the most prominent one on the poster, but she’s hardly in this. Not that it’s a problem as I throughly had a good time watching The Butcher, The Chef, and the Swordsmen but I can’t say I’m rushing out to see it again or grab it on DVD. If what I mentioned above peaks your interest than I encourage you to seek it out. I’m definitely up for whatever Wuershan will release next time. Maybe cut it down to one story next time?

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Ottawa Cinema: April

March 22, 2011

Sometimes I find it difficult to live in Ottawa as a film fan. All the quality indie theaters I love show films far too late or on days where I’m juggling other responsibilities and can not make it out see ’em. In contrast, I live within walking distance to a multiplex, but they seem far more interesting in promoting Beastly than anything else. No thanks.

But I should be thankful for what I get. Because in April I get probably the best double feature I could hope for:

Ottawa Mayfair John Woo Double Feature

Yes! 35mm prints of two John Woo/Chow Yun-fat collaborations are definitely a positive thing. It’s playing on April 12th. I’ll be there. Not a bad excuse to blog about two masterpieces, right?

Another film of interest is being shown on April 1st when the Mayfair plays Enzo G. Castellari’s Keoma. I can’t say I’ve seen it, but I have heard nothing but good things about it. I’m sad to announce that I’ll be out of town when they are showing a print of Once Upon a Time in China II, but you can’t win them all right? I encourage anyone from Ottawa to make it out to see it on Friday.

Before I leave town for the weekend, I did manage to find one theater that is showing The Butcher, The Chef, and the Swordsmen, but that’s a 20 minute drive out of town to get there. Ouch. The only day I’d be able to see it would be tomorrow. Should I attempt the drive? Or pass?

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Three Theatrical Hong Kong Films in 2011

March 18, 2011

Three Hong Kong action films are receiving a theatrical distribution in North America this year. I’m surprised they are pushing these titles over some others (cough cough Reign of Assassins) but I suppose someone thinks these have some potential to make a buck. The films in question are The Butcher, the Chef, and the Swordsmen, Legend of the Fist: The Return of Chen Zhen, and Yuen Woo-Ping’s True Legend. First let’s look at Legend of the Fist.

I’m sold! I hope it attracts some attention outside the already converted Hong Kong fan base. I’m giving brownie points to oddly named distributor (Well Go USA) for promoting the film as uncut and undubbed as well. They aren’t pulling a Weinstein or Miramax on us.

This lack of cuts could hurt the film’s reception however as if it’s anything like the other Chen Zhen films, then it will come off as insanely nationalistic. The xenophobic nature towards the Japanese in these films can only leave a bad taste in my mouth considering. These goes double considering the tsunami and power plant disasters in Japan. I’ll see how much I can stomach in this one. The trailer promotes itself as being from the director of Infernal Affairs but I think it should also mention the Andrew Lau’s other credentials.

Legend of the Fist Trailer Andrew Lau

Way more accurate. Politics aside, I’m still a sucker for how the whole thing looks. Having Donnie Yen and Anthony Wong doing their thing doesn’t hurt either. I’ll be paying top dollar for it when/if it swings into my town. Next is The Butcher, the Chef, and the Swordsmen which is coming out tomorrow! It hasn’t even been released in Hong Kong yet!

There’s not a lot of hype about this movie. It’s an anthology film partially funded by Fox making it a Chinese-Hong-Kong-US production. If three production countries aren’t enough for you, it has five screenwriters! Multiple-writers syndrome usually ruins a film for me, as it often becomes a pretzel-based plot that’s unsure of it’s own direction and tone. The only multi-writer exceptions I can think of are Children of Men and 48 Hrs. which make it through several writers without a scratch of confusion.

I’m baffled by the poster’s statement on Doug Liman presenting this film. I had to look him up as I was drawing blanks on why his name would mean anything on the poster would mean anything to anyone. Turns out he made Mr. and Mrs. Smith, Jumper and that Bourne film that wasn’t made by Paul Greengrass.

The

I guess he had his hand in the release of this? Liman has little to no following and it’s almost as jarring as reading critical acclaim from Brett Rhatner on my Jackie Chan DVDs. Let’s hope the gamble pays to release this pays off. Film Business Asia gave the film a good review, but also seemed to praise something described as “a whorehouse rap number”. Hmm. Unless this comes to a theater near me, I’ll pass.

Lastly, we have True Legend. It does not have an American trailer yet, but it’s got Yuen Woo-Ping directing and features Michelle Yeoh. Woo-Ping hasn’t directed a film since 1996 as he’s been busy making everyone else look good in The Matrix, Kill Bill, and Kung Fu Hustle. Why the huge break? I guess doing action scenes for top directors pays more than doing you own films but you’d think he’d get the directing bug again sooner. Speaking of AWOL directors, what’s been keeping Ringo Lam busy these days? Did Ringo give up everything after overdosing on Van Damme or was working on Triangle with Johnnie To and Tsui Hark the only work he could get?

Either way, it’ll be great to see something that says “Directed by Yuen Woo-Ping” on the screen again, so I’m ready for it. Let’s see how it’s being promoted. There’s tons of angles to approach this at, so what have you got for me poster?

True Legend American Poster Yuen Woo Ping

Aw, c’mon. What a weak teaser. This is typical “no faith in the film” poster making where the production company even hides the fact that it’s an Asian film. They could at least boast something about his American work but here there is nothing! Instead, we have a fist which is…leaking on a wall? I’m lost. That’s clearly black ink splashed around it but the fist is cracking the wall. Lamest graffiti inspired poster ever! Let’s hope that when it’s get closer to it’s premiere we’ll have something nicer to look at.

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