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Hard Boiled Review

May 8, 2011

Now I’m not only recovering from screenings, but recovering from Canadian elections too. I don’t want to use this blog to push any politics so let’s talk a film that elicited genuine gasps and shock from the audience when it was shown at the Mayfair theatre in Ottawa: Hard Boiled!

On paper, the production of Hard Boiled is kind of a mess. Some scenes such as the the tea-house fight were shot when there was no shooting script. When the film’s screenplay was written by Barry Wong, Wong sadly died while on vacation leaving it unfinished. Plot points that were originally in the script such as a baby-poisoning psychopath are mostly lost in the mix with elements stirred in towards the end during the heroic and slightly hilarious baby-rescue. Other re-writes involve Michelle Yeoh who was originally going to have been cast in Teresa Mo’s role. I’m not sure why this was changed, but Mo’s character was greatly re-written after Michelle was unable to be in the film. I assume somewhere in Hong Kong there is a huge cabinet full of nothing but screenplay drafts for Hard Boiled.

Here’s where I’m a bit confused. All credits and books I’ve read relating to the film say that John Woo completed the script himself, but an interview on the Hong Kong Cinemagic website with director and writer Gordon Chan suggest that he helped finishing the draft of Hard Boiled after Wong died. Gordon Chan even goes on to explain little bits of his draft that are in the film such as the warehouse scene. If this is the case, how come his name does not appear in the credits? I’ve read most books relating to Woo and have heard two audio commentaries on the film and I never heard Gordon mentioned once. So what gives?

Despite production troubles and my own historical confusion, Hard Boiled is a film that can maintain quality while not just being over the top in terms of action sequences but in basic plot elements which range from implausible to silly. Let’s look at some enjoyable nonsense we have here:

Hard Boiled Hospital
Hospitals have secret underground weapons bunkers
with Scrooge McDuck-esque sliding doors.

Hard Boiled Song

Coded messages being delivered through Lionel Richie lyrics
(and sung by Chow-Yun Fat and Teresa Mo!)


Weapons are hidden in Shakespeare and bird cages!

I’m just scratching the surface with that kind of pulp! To match them, we have the equally over the top action scenes which I consider to be some of the best filmed. When mentioning action scenes like “the teahouse scene” or “the hospital scene” to anyone who has seen Hard Boiled, they know what you are talking about without hesitation. This level of action also separates some audiences as some find it goes too far, while others rejoice in the glorious chaos. Personally, I like this film quite a bit, but I do see it in a slightly lesser light than Woo’s other major Hong Kong films, such as The Killer, A Better Tomorrow and Bullet in the Head. I do like it more than A Better Tomorrow II and Once a Theif. As for going too far, I think it doesn’t go as overboard as Kurt Wimmer’s Ultraviolet so it suits me just fine.

Even though I do love action cinema, I’m a firm believer that if you are not going along with either the plot or characters, than you can have gorgeous action scenes that will not impress if you don’t care about the characters or what they are doing. Woo has compared the film to Dirty Harry with it’s tough police detective who makes vigilante justice seem appealing and Die Hard. I agree, especially with Die Hard for having really riveting action scenes in an isolated area all while giving quality actors some roles which are a bit thin on character and interest. To further the comparison in Die Hard, there are two actors with a lot of charisma (Bruce Willis and Alan Rickman) while in Hard Boiled we have some of the best actors to have graced Hong Kong screens, namely Chow Yun-Fat, Anthony Wong and Tony Leung (the real Tony Leung, not the fake one). Their performances (especially Chow’s and Tony’s) I think give enough depth to their characters to make them rise above the slightly messy plot. Tony and Chow seem to be having a blast, but not everyone had the fun working with Woo on the film. This was Anthony Wong’s only film with John Woo and he was not to happy on set. Wong felt the film was too comic-book like and didn’t like how Woo treated his actors. This is interesting, as everyone in America who’s worked with Woo had said that he is very polite and kind on the set while in Hong Kong, Woo is sometimes referred to as “the black faced God” being dead serious while working. I wonder how everyone felt about him during the production of Red Cliff?

On watching the film at the Mayfair theater, the audience was really taken by it. I don’t remember hearing so many loud gasps come from the audience since watching the joker do his pencil trick years back. I think this goes to show the quality of the film despite any plot’s short-comings: it still is exciting, keeps the audience hooked and is still talked about today. It set some pretty high standards for the action scenes in an action film so despite it’s flaws, I think Hard Boiled could easily creep in to a list of the top action films of the 1990s.

Sources: [1] [2]

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Three Theatrical Hong Kong Films in 2011

March 18, 2011

Three Hong Kong action films are receiving a theatrical distribution in North America this year. I’m surprised they are pushing these titles over some others (cough cough Reign of Assassins) but I suppose someone thinks these have some potential to make a buck. The films in question are The Butcher, the Chef, and the Swordsmen, Legend of the Fist: The Return of Chen Zhen, and Yuen Woo-Ping’s True Legend. First let’s look at Legend of the Fist.

I’m sold! I hope it attracts some attention outside the already converted Hong Kong fan base. I’m giving brownie points to oddly named distributor (Well Go USA) for promoting the film as uncut and undubbed as well. They aren’t pulling a Weinstein or Miramax on us.

This lack of cuts could hurt the film’s reception however as if it’s anything like the other Chen Zhen films, then it will come off as insanely nationalistic. The xenophobic nature towards the Japanese in these films can only leave a bad taste in my mouth considering. These goes double considering the tsunami and power plant disasters in Japan. I’ll see how much I can stomach in this one. The trailer promotes itself as being from the director of Infernal Affairs but I think it should also mention the Andrew Lau’s other credentials.

Legend of the Fist Trailer Andrew Lau

Way more accurate. Politics aside, I’m still a sucker for how the whole thing looks. Having Donnie Yen and Anthony Wong doing their thing doesn’t hurt either. I’ll be paying top dollar for it when/if it swings into my town. Next is The Butcher, the Chef, and the Swordsmen which is coming out tomorrow! It hasn’t even been released in Hong Kong yet!

There’s not a lot of hype about this movie. It’s an anthology film partially funded by Fox making it a Chinese-Hong-Kong-US production. If three production countries aren’t enough for you, it has five screenwriters! Multiple-writers syndrome usually ruins a film for me, as it often becomes a pretzel-based plot that’s unsure of it’s own direction and tone. The only multi-writer exceptions I can think of are Children of Men and 48 Hrs. which make it through several writers without a scratch of confusion.

I’m baffled by the poster’s statement on Doug Liman presenting this film. I had to look him up as I was drawing blanks on why his name would mean anything on the poster would mean anything to anyone. Turns out he made Mr. and Mrs. Smith, Jumper and that Bourne film that wasn’t made by Paul Greengrass.

The

I guess he had his hand in the release of this? Liman has little to no following and it’s almost as jarring as reading critical acclaim from Brett Rhatner on my Jackie Chan DVDs. Let’s hope the gamble pays to release this pays off. Film Business Asia gave the film a good review, but also seemed to praise something described as “a whorehouse rap number”. Hmm. Unless this comes to a theater near me, I’ll pass.

Lastly, we have True Legend. It does not have an American trailer yet, but it’s got Yuen Woo-Ping directing and features Michelle Yeoh. Woo-Ping hasn’t directed a film since 1996 as he’s been busy making everyone else look good in The Matrix, Kill Bill, and Kung Fu Hustle. Why the huge break? I guess doing action scenes for top directors pays more than doing you own films but you’d think he’d get the directing bug again sooner. Speaking of AWOL directors, what’s been keeping Ringo Lam busy these days? Did Ringo give up everything after overdosing on Van Damme or was working on Triangle with Johnnie To and Tsui Hark the only work he could get?

Either way, it’ll be great to see something that says “Directed by Yuen Woo-Ping” on the screen again, so I’m ready for it. Let’s see how it’s being promoted. There’s tons of angles to approach this at, so what have you got for me poster?

True Legend American Poster Yuen Woo Ping

Aw, c’mon. What a weak teaser. This is typical “no faith in the film” poster making where the production company even hides the fact that it’s an Asian film. They could at least boast something about his American work but here there is nothing! Instead, we have a fist which is…leaking on a wall? I’m lost. That’s clearly black ink splashed around it but the fist is cracking the wall. Lamest graffiti inspired poster ever! Let’s hope that when it’s get closer to it’s premiere we’ll have something nicer to look at.

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