ONE MORE BULLET WON'T KILL YOU  |  ACTION FILM BLOG

 

Steele Justice Review

July 29, 2012

Steele Justice is 1980s cheese-action gone sour. Here we have a film having trouble deciding whether it wants to delve into every 80s cliche (by doing this, it cribs far too much from other good to average 80s action films) and unintentional humor (which sadly, only comes in brief spurts). The film stars Martin Kove as John Steele who we meet in Vietnam in the 1970s. How tough is Steele? Well he’s got a great set of neck ware with his plastic snake necklace.

Coral Snake Steele Justice
Sneak in your pets by disguising them as your regular army gear.

I promise the next clip isn’t from Hot Shots, as this is Steele Justice seals the deal with the incredibly silly rat with grenade attached to it. And we’re only 5 minutes into the film.

Mouse Grenade
Grenade on a rat!! It’s officially that kind of a film

I’m not even going to bother including the scenes that follow up involving Kove having a gun that shoots knives because this movie just starts out with actions that would make Italian rip-off cinema blush. I’m also not including it as the movie suddenly changes tone completely and drops any goofy weaponry when the film announces that it’s about 15 years later. Steele find his partner killed by Vietnamese gangsters who have also offed his partner’s family. The last family member remaining is Cami played by Jan Gan Boyd. Boyd is manicly miscast looking to be just as about as old as her mother. The film takes influence here from quality adult films and just give her pigtails. Instant teenager, right?

I’ll admit I’m being a bit harsh on the small stuff but this is all that remains firmly in memory after watching Steele Justice. Outside a few goofball choice it just turns into a poor man’s mish-mash of Rambo, Commando, and the Missing in Action films. It lacks the strange logic of Andy Sidaris films or Ninja III and instead focuses on being a far too familiar action film. Ronny Cox even plays a police sgt that’s basically the same role he had in the Beverly Hills Cop films. In my mind, it makes both these films take place in the same universe. Steele Justice for me is unofficially a spin-off of Beverly Hills Cop.

It’s not an 80s action film until you have your training montage with anthemetic rock blasting, and of course Steele Justice has one. The film does take some bizarre turns in musical cameos however. If you are into country-rock, there are some scenes of Chris Hillman (formerly of The Byrds and the Flying Burrito Band) performing with his 80s group The Desert Rose Band and a scene involving Astrid Plane, the original lead singer of synthpop group Animotion performing some delightfully poor choreography. Check out the backup dancers.

Astrid Plane Funny 80s Dance

Does poor dance choreography lead to poor action scenes? In this case yes, the fights are sparse and many involve either Kove either knocking out people with a single punch or running away from battle. Only in the final showdown scene is there any element of interesting cinematography and atmosphere to give the still poorly choreographed swordplay any grit it needs to deserve your attention.

Steele Justice is not available on DVD and I manged to see it theatrically at a midnight show at the Mayfair Theater. Their was even a pre-recorded video involving Martin Kove introducing the film. Kove didn’t get into too many details about the film outside that he was excited to not play a bad guy in his role and that the film was a fun movie to make. It’s not quite as fun as Kove may hope as in between a bad film’s overtly goofy moments we have a film that’s too afraid to keep up with these more bizarre risks and just hops into the realm of safe clean action film making that I can only recommend to people who have worn out their Missing in Action tapes and need to pick up a quick bargain tape off e-bay.

Share

Vote in the Lovehkfilm.com best films of the 1980s!

February 25, 2012

Flag of Hong Kong pre-1997
1980s Hong Kong Flag

Greetings and Salutations to all who read this still. Just a quick post before I get into lengthy discussions on the merits of the films of Rudy Ray Moore. If you like action films, you are bound to like Asian cinema. If you like Asian cinema, you know it goes beyond action films. To help expand the word on Hong Kong cinema, I am promoting one of my favourite film sites,Lovehkfilm.com. The reviews are humorous, self-aware and escape all types of fan-boy knee-jerk reactions that sometimes occur with such country or genre specific film sites.

One of the features on the Lovehkfilm.com I frequently return to is their Best of the Decades polls which readers nominate their best films of the decade. It’s a good reference for those taking their first baby-steps into Hong Kong cinema and for seasoned vets who need to seek out the more forgotten titles. The site has already done lists for the the top 100 of the 1990s and the top 50 of the 2000s and are currently doing one for the 1980s. If you have an e-mail, you can vote so it’s easy as just following the instructions here. Be sure to take time and think of not just films you think are obviously the best but films you think that deserve more respect or support. I’m looking forward to the results and hearing about what your votes are. Be quick though as the poll closes on February 29th. Get out and vote!!

That’s all for now, I’ll try to get back to real posts on my own content sometime in the near future. Get out and vote!

Share

A Better Tomorrow Review

April 27, 2011


A Better Tomorrow / Hard-Boiled
The controversy of whether you put a dash between Hard and Boiled continues

I’m still slightly recovering from the sensory overload that was the double feature of A Better Tomorrow and Hard-Boiled at the Mayfair theater weeks ago. Seeing these two films again is a good refresher on how to make a superior action film. I don’t want to waste too much time on these films as you probably know that they kick all sorts of ass, but let’s continue.

For now, let’s discuss a quick history of the impact of A Better Tomorrow. This was director John Woo’s first important hit. When it was released in 1986 in Hong Kong it was not only the highest grossing film of the year, but the highest grossing Hong Kong film at that point making HK$35 million. According to Karen Fang’s book A Better Tomorrow, the film grossed thirty-five million Hong Kong dollars. In comparison, the second highest grossing film of the year which was Millionaire’s Express (starring big names like Sammo Hung , Yuen Biao and Cynthia Rothrock) made HK$28 million. Sammo’s films were already popular but this was when John Woo was known as comedy filmmaker and Chow-Yun Fat was known a comedic actor in television. Hard to believe that was ever the case. The film had two sequels, a remake, and several derivatives such as Wong Jing’s Return to a Better Tomorrow.

Of course, sales and popularity mean nothing unless the product itself is strong and can holdup nearly 30 years later. I’m happy to report that A Better Tomorrow does hold up despite not being as popular as Woo’s other Hong Kong flicks, namely Hard-Boiled and The Killer. It is noticeably different, A Better Tomorrow is less action-oriented and more operatic than either of those films. But thankfully for fans who can be won over without truck loads of action, it’s just as flashy and stylish as Woo’s best work. How stylish?

A Better Tomorrow is Stylish
Obviously very stylish.

Of course if it were all just slow-motion shots with a flimsy story than we wouldn’t be talking about A Better Tomorrow still today. Unlike many of Woo’s imitators who think it’s enough to have an actor flying across the screen with two-guns blazing, Woo does have the cinematic elements like characters, plot and his own pet-themes on his mind that give the stylish scenes the extra meat they need to last many views. Plot-wise, this film trumps Hard Boiled in my books. The films ganger-oriented story about honor and brotherhood between police offers and gangsters is a favourite theme of Woo’s, and he had been waiting for years to tell this type of story at this point in his career. It shows as it’s jam-packed with ideas with almost no wasted scenes. Everything is tightly woven and is delivered by some of the best actors Hong Kong has (including Chow Yun-fat and Leslie Chung who were showing up in all the best late 80s and early 90s Hong Kong films). Chow Yun-fat is especially enjoyable as he is given all the best lines in A Better Tomorrow. No wonder fans are still asking Woo to this day when they are working together next.

If the film has a sour note, I’d say it involves some earlier lighter scenes involving a music rehearsal. They seem out of place as they don’t make sense sequentially as comedic relief, nor are they particularly funny. You do get to see producer Tsui Hark as a music judge who gets his car’s rear-window smashed in however. On that note, Tsui Hark looks almost exactly the same now as he did 20 years ago too, does this guy ever age?


John Woo shows how he really feels about Tsui by smashing up his car.

The print at the Mayfair was excellent without a scratch or speckle. It was either brand new or from a private collector who takes very good care of their prints. It had English credits and only English subtitles which suggest it wasn’t a Hong Kong print, but it did include music that is not on my Anchor Bay DVD of the film. The main musical cue that I recall is the famous restaurant scene which you can see here. The YouTube video showcases the version I saw with it’s more quirky Cantonese music opposed to the saxophone and guitar music on the Anchor Bay release. I’ll take the original music over any soundtrack that involves a saxophone. Saxophone solos sound more dated than a synthesizer score to me. I haven’t seen the Region 2 UK disc of A Better Tomorrow, but from what reviews I’ve read, I find that it fares even worse than the Anchor Bay one.

I’m babbling like a fan boy here, but let’s just say that A Better Tomorrow could easily sneak into a list of the top crime films of the 1980s. If this print comes to your town, you owe yourself the pleasure to see this classic.

Share

Gorgeous Thai Film Posters

March 16, 2011

I’m not nothing about how film promotion works in Thailand, but their posters always seem to make anything they advertise more interesting. They often seem to use using existing posters for a template, and then give them this exotic flair and painter like quality that are usually reserved for Indiana Jones or Star Wars film posters. This stylish Thai trend seemed to have existed from the 1970s to the 1990s and then it stopped. Does anyone know what happened? Why would they stop designing things as nice as these?

A View To Kill Thai Poster
A View to Kill (1985)

Rambo Thai poster
First Blood (1982)

Just Heroes poster
Just Heroes (1989)

La Femme Nikita Thai poster
Nikita (1990)

Police Story 2 Thai poster
Police Story 2 (1987)

The Terminator Thai poster
The Terminator (1984)

I have some more I may post another day and I have these files in a higher resolution if anyone is interested as well. Any requests?

Share

Miami Connection Overview

March 12, 2011

Miami Connection is a 1980s martial arts film that has recently been touring North American theaters in hopes of finding a cult following for lovers of bad cinema. I mean really, really, bad cinema. The Troll 2 and The Room variety. It features competent martial artists who are stuck in a mess of incompetent filming, acting, writing, music, lighting…anything that generally makes a good movie. The trailer gives a good idea of what to expect.


If anyone knows of an original trailer, I’d love to see it!

This trailer only scratches the surface of the multiple problems with this film. The story starts in Miami at night when a cocaine deal goes bad. (Going bad meaning that a team of black-cloaked ninjas swarms a gang of thugs and steals their coke). The ninja leader Yashito (Si Y Jo), takes the drugs to his buyer named Jeff (William Eagle). They meet at a local nightclub where unbeknown to Jeff, his sister Jane (Kathy Collier) is a singing with a band called Dragon Sound.

The members of Dragon Sound are all martial artists, including John who is romantically linked with one of the singers named Jane. The members of Dragon Sound are confronted by rival bands (who are jealous of Dragon Sounds gigs and popularity) and Jeff’s gang (who doesn’t like John dating his sister Jane). After various unsuccessful fights between the gangs and Dragon Sound, Jeff accidentally falls to his death. This brings Yashito’s attention to Dragon Sound who sends his squad of ninjas to finish them off.

Cheesy doesn’t begin describe Miami Connection. It crosses the boders of cheese into always fascinating “what were they thinking?” territory. For starters, the protagonists (who all look about 20 years too old to be in college dorm buddies) have no charisma. Zip. Nil. Even your average Disney protagonist have a bit of an edge to them, but these guys make Shirley Temple feel like Gordon Liu. When they aren’t giving martial arts a bad name, Dragon Sound also manage to ruin rock music. Their “Against the Ninja” song in the trailer will rekindle everyone’s memories of the worst qualities usually associated with 1980s music. And I’m not even going talk about the second song: “Friends Forever“.

Another scene that goes on forever showcases a martial arts demonstration. Not a fight, just a mock demonstration which includes moves that involve people’s noses are grabbed between toes. Why is this in the movie!? I’ve concluded that it’s in the film to pad the running time or to promote YK Kim’s training dojos. What’s most unfortunate about Miami Connection is that during the fight scenes, all the actors are obviously competent martial artists who do show off some sort of skill. But most of these fight scenes take place at night and are poorly lit and edited which ruins any genuine enjoyment of them. I do not want to spoil too much more, but I must mention my favourite scene that involves the ninjas arriving to ambush Dragon Sound on motorcycles (!). As soon John spots them, he flatly delivers the line “Aw no…Ninjas!”.

For me, bad films have to have one continuous over the top level of awfulness to make them enjoyable. Miami Connection begins to lose it’s shtick when the goof ball dialog becomes minimal and the story fails to go into the crazy improbability of let’s say…Ninja III: The Domination. I would still recommend watching it if for the good amount of cheap laughs as it’s still a minor, but still pretty amazing piece of bad cinema.


Miami Connection VHS cover

Whenever I see a film as bad as Miami Connection, I get obsessed with it. How was it made? Where did it go wrong? Who’s to blame? I’ve done a little research about the production of the film. And it mostly surrounds the actor, writer and co-director YK Kim.

In the early 1980s YK Kim created one of the largest Taekwondo organizations in the world. He had schools in eight locations including one in my current home: Ottawa, Canada. In 1985, Kim was approached by the Korean filmmaker Woo-sang Park who had the film’s basic plot in mind after watching Kim being interviewed about one of his Taekwondo books. Park had previously made the mysteriously ninja-less film known as Ninja Turf. Kim was not an avid film fan and only watched about two or three movies a year, but agreed to to help make the film. For the production staff, Kim hired many of his martial arts students who either had a role in the movie or contributed props and facilities. Kim also put forth his own money (over one-million dollars) to aid the film’s production. Co-producer William Young said the total budget of the film ran ”seven figures, a couple times over.” Miami Connection never had a written script as Woo-sang Park fed lines to actors before filming.

On watching a private screening of Miami Connection, Kim said the film made him feel physically sick. On trying to sell the film to Cannes International Film Festival, he was told “It isn’t a movie”. Down but not out, Kim read eight books on film making and by 1987, he had re shot most of the film including changing movie’s ending and adding new dialogue. The film received negative reviews from critics, and Kim did not expect the film to turn a profit. ”I know I lost money in the movie, but I do not regret it at all…I’m very proud to have finished it. I can work hard to pay off my debts. That’s a piece of cake.”

YK Kim has not made another film since Miami ConnectionMiami Connection as after a jarringly bloody battle finishes the film, we are left with this quote.

I still believe in your vision YK Kim! For more fun, check out his new career as a “modern philosopher” which is as humorous as his film.

Source 1 | Source 2.

Share